Noise Colloquium

  • 21st - 22nd Mar 2015
  • 11:00am - 9:00pm Saturday; 11:30am - late Sunday

 

Poster for Noise Event

Image: Russell Duke

The University of Greenwich is hosting a two-day colloquium to explore noise as a concept that embraces the expressive, the idea of noise as a resistance and, through mutating repetition, a catalyst for creative production.

From this perspective noise moves out of the solely auditory register into a multisensory realm of non- representational logic.

This event is free and open to all, but if you would like to attend, you are requested to register with eventbrite using the link on this page. Registration is available up until 24 hours before the event opens. A timetable and list of contributors is given below.

Venue: University of Greenwich, Stockwell Street Building


Saturday 21 March (11 am start)


11:30 – Keynote Presentation – Steve Kennedy

12:00 – Workshop – Dirty Electronics

13:00 – Lunch

14:00 – Papers – Ian Thompson, Dushume, Sarah Sparkes

15:15 – Coffee

16:00 – Performances – Alice Eldridge, Manuela Barczewski, Rie Nakajima, and Atau Tanaka.


Sunday 22 March (11:30 am start)


12:00 – ‘In conversation’ – Nicolas Collins with David Toop

13:00 – Lunch

14:00 – Keynote Presentation – Atau Tanaka

15:00 – Performances – Poulomi Desai & Dushume, Andrew Hill, Melanie Clifford, Nuno Salihbegovic and Nicolas Collins.

Afterwards – Olivers Wine Bar for more performance and DJs (until late)


 

booking

Events held at the University of Greenwich Galleries are free to attend unless otherwise stated. Booking is not required, but by letting us know you intend to come you can help us to plan our events better.

Related Events & Exhibitions

  • Drawing Towards Sound: Visualising the Sonic

    • 4th Mar – 2nd Apr 2015
    • 10 - 5 Mon.- Fri.; 11 - 4 Sats.
    • Stephen Lawrence Gallery, Project Space

    Drawing towards Sound: Visualising the Sonic is curated by Dr. David Ryan (Reader in Fine Art, Anglia Ruskin University). It examines the interface between the visual and the aural through notation, documentation, performance and video/moving image. This project has received additional generous support from:
    Anglia Ruskin University, The Hinrichsen Foundation, Edition Peters, London, Universal Edition, Vienna