Archive for the ‘Exhibition’ Category

Let our Legacy Continue

Tuesday, August 11th, 2020

A collaboration between the Caribbean Social Forum, and the University of Greenwich’s Applied Sociology and Drama Theatre and Performance Research Groups.

From the Caribbean to the UK to lockdown, we carry and re-remember stories of where we came from, journeys and first impressions. We do what we have always done to survive and thrive. We adapt and refresh skills. We innovate, create and re-create. This project uses visual art, sound, music and words to capture and celebrate the rich material of our unique Caribbeaness as reflected in our everyday lives.  

Image © Ingrid Pollard (detail)

Our journey ends with an exhibition which we invite you to travel through, marking the beginning of a new adventure. This exhibition appears both in a digital format* and at The Stephen Lawrence Gallery. Both formats of the exhibition are open to the public from 2 October, after an invited launch on 1 October.

*The online exhibition is currently in preparation. A link will be provided here once it is ready.

Storytellers

Bertie Ferguson (Jamaica, Management); Cynthia Gaynor-Bailey (Jamaica, Local Government Officer); Dolcie Gibbs (Jamaica, Nurse); Esther Precod (Barbados, Nurse); Fabian Best (Barbados, Nurse); Harry Franklyn (Barbados, Builder); Joycelyn Williams (Trinidad and Tobago, Entrepreneur); Denzil Winsborrow (St Vincent, Education); Neville McGregor (Jamaica, Builder); Sonia McIntosh, MBE (Jamaica, Civil Servant); Tony Durrant, MBE (St Vincent, Civil Servant); Velmar McGregor (Grenada, Education); Victor Turton (Barbados, Transport).

Exhibition Team

Adele Chambers (UoG Student Intern); Dave Hockham (Drama, Theatre and Performance Research Group, UoG); Ingrid Pollard, Dr. (Artist and Curator); Jean Campbell (Workshop Facilitator and Curator); Pamela Franklin (Caribbean Social Forum); Shamica Ruddock (Creative Digital Specialist); Tracey Reynolds, Prof. (Applied Sociology Research Group, UoG).

Your Visit 

Due to COVID 19, we are operating a policy of limiting visitor numbers to a maximum of 9 per hour, with group bookings limited to a maximum of 6 people. It is therefore advisable for you to book in advance for your visit. Each slot is 45 minutes starting on the hour and can be booked via the Eventbrite link below. If you arrive without a booking we will only be able to grant you entry if there is a free slot. In this case, you will also be required to leave contact details for tracing purposes. When visiting the exhibition, you will encounter a layered experience of video, audio and imagery. The experience is expected to take no more than 45 minutes to travel through.

You are requested to wear a mask for your visit (unless you have a waiver), make use of the hand sanitiser provided, and to observe social distancing measures while you are in the gallery. For those shielding or otherwise unable to attend on-site, an online digital version will be available which you can enjoy from the comfort of your home. 

Further info

The gallery is fully wheelchair accessible. Public toilet facilities are available, including RADAR key operated disabled toilet facilities, on application to the gallery assistant. 

Further access information can be found under the Find Us tab on this website. For any additional access requirements or enquiries, please contact the gallery at ugg@gre.ac.uk

Universal Crepitation

Tuesday, August 11th, 2020

In association with the 2020 Greenwich Sound/Image Festival, The Stephen Lawrence Gallery is hosting an exhibition of audio-visual works, spanning a wide range of practices, including theatre, video, dance, music, and installation art.

Running from 10 November through 18 December 2020, Universal Crepitation explores sound as a granular ever-present entity.

Universal: in that no part can be excluded from causality (unless godlike and nonexistent).  
Crepitation: a crackle, a rattling of parts rubbing together.  

We habitually try to trace a sound back to its source, to identify and label it, but what we find here are just shifting points of contact. In an exhibition that incorporates different voices and modalities — the sonic, the spoken, the written and the staged – artists bring their singular approaches together through collaborative practice. The accumulation of multiple sound/image works in one space has the potential to generate a cacophonous noise – or the possibility for new unities to emerge from these points of crackling contact. 

Intuitively it could be possible to sense that white noise contains multiplicity, just as this exhibition may contain undulations that speak of distinct temporalities and lifespans that animate and invigorate; a complex pulse that generates new worlds, emergent narratives and landscapes. The relationship between sound and the emergence of music has two distinct trajectories, the narrative/linear and the ambient/cyclical; time and space. Universal Crepitation explores the dynamic tension between these two tendencies or aspects of the sonic. 


Features Ole Hagen, Oscar Nearly, and Mhairi Vari, working  in collaboration with  Hannah James-Scott,  Hannah  Jowett, and Rhea T-W.

This exhibition is part of the Greenwich Sound/Image Festival. Below is the sound featured in the installation.

Mhairi Vari · Here it comes universal crepitation (edit, shortened)
Hannah Jowetti · Don’t Feed The Task Monkeys(edit, shortened)

Your Visit

Following the government lockdown this exhibition has been reconfigured so that it can be viewed and engaged with through the gallery window. Booking not necessary. Further information via the link below.

NOTE: The period of the exhibition has been extended until 18th December to allow opportunity for members of the public to visit it in the event that the current measures are lifted on 2 December. Any updates in access information will be posted here.

In the meantime, sounds and video from the exhibition, interviews with the artists and a 360° photograph of the installation can be found in the link below.

We gratefully acknowledge funding support from Royal Borough of Greenwich

We are reopening: Window First

Tuesday, July 14th, 2020

Reopening in September Banner Poster

From Tuesday, September 1st, The Stephen Lawrence Gallery will re-open with the first of four week-long displays in the Gallery window space. On this and each subsequent Tuesday, a new installation will focus on a different aspect of teaching and research from the University’s School of Design.

The series starts with a presentation of the 2020 online graduate student exhibition, then moves on to explore the experimental roof-gardens in the Stockwell Street building. In the third week, we show some of the historically important research revealed through laser scanning projects from across the Greenwich World Heritage site, while the series rounds off with an audio-visual ‘taster’ of the forthcoming Sound/Image Festival to be held in Greenwich Town Centre in November.

To comply with our operational COVID 19 measures, these displays have been devised so that they can be engaged with from the street. Meanwhile, The Project Space and Heritage Gallery remain temporarily closed. We are working closely with the University Estates team towards their reopening, and will post developments on our social media platforms as these emerge. Follow University of Greenwich Galleries on TwitterInstagram or Facebook.


Have a question or planning a visit? Check out our contact details and location on the Find us page.

The Open Air Drawing Room

Tuesday, July 7th, 2020

The Open Air Drawing Room is an example of socially engaged art practice. The work crosses boundaries between performance and painting. Conceived as a celebration of the collective effort through a combination of performance and painting, The Open Air Drawing Room was originally co-commissioned by the Turner Contemporary (www.turnercontemporary.org) in Margate and Applause Rural Touring (www.applause.org.uk).

A Show Of Hands by Eric MacLennan, 2020. Turner Contemporary, Margate (Photo credit: Eric MacLennan)
Collection Of Thirty-One Stones For Thirty-One Shipping Areas by Eric MacLennan, 2019. London (Photo credit: Eric MacLennan)

By creating a monumental painting, it offers participants the opportunity to engage with a large scale work which aims to set the world record for a painting created by the largest number of artists ever. The work is inspired by the innovative techniques of JMW Turner and the ideas of John Ruskin. Ever-evolving, it was first exhibited at Turner Contemporary in 2019. It comprised two pieces: “A Sea Of Faces”, a large-scale painting produced by combining over 500 individual watercolours into a single harmonious whole; “A Show Of Hands”, an extensive photographic installation of all the contributors’ hands displayed together on the gallery terrace.

In the summer of 2021, these two installations will be exhibited at the Stephen Lawrence Gallery, University of Greenwich Galleries, by which time the work will be twice as large, with over a thousand individual contributions. Every contributor paints a stone from the same collection of thirty-one stones that correspond to the thirty-one shipping areas around the British Isles. A stone that was once a mountain. A stone that—like us—is in a state of transition. A stone that will one day be a grain of sand on a beach somewhere. These stones were old when Turner was young and they will still be here when we are gone.

Exhibition opens

26th July – 5th September 2021

Private View

25th July 2021, 2 – 4 pm

The Open Air Drawing Room by Eric MacLennan in performance, 2019. Almeida Theatre, London (Photo credit: Ali Wright)
The Open Air Drawing Room by Eric MacLennan in performance, 2019. Almeida Theatre, London (Photo credit: Ali Wright)

Explore a short film about The Open Air Drawing Room and the “A Sea of Faces” installation (both firstly exhibited at the Turner Contemporary between October 2019 – January 2020):

The Open Air Drawing Room is led by Eric MacLennan (www.ericmaclennan.com). A socially engaged artist whose practice occupies a unique space somewhere between theatre, movement and the visual arts, Eric has been making innovative performance work for more than thirty years. His work is cutting-edge with a clear focus on its audience. Challenging and provocative, but always entertaining. Inspired by philosophy and comedy in equal measure, his work questions our unconscious habits, challenges conventions and isn’t afraid to say the unsayable!